The Legacy of John Williams Podcast
Episodes
Monday Jan 08, 2024
Return To Neverland: HOOK The Ultimate Edition - Part 2
Monday Jan 08, 2024
Monday Jan 08, 2024
Part 2 of the podcast special dedicated to La-La Land Records’ magnificent 3-CD set of John Williams’ masterful score for the 1991 Steven Spielberg fantasy epic
Hook – The Ultimate Edition is a 3-CD collection with a newly restored and expanded presentation of the magnificent score composed by John Williams for the 1991 film directed by Steven Spielberg. Assembled, mastered and produced by Mike Matessino in full cooperation with the composer, the new release presents this seminal Williams’ work in a truly definitive and loving treatment, with the complete score presented in the film’s narrative order on disc 1 and 2, and a third disc featuring for the first time all the songs by John Williams and Leslie Bricusse for when the film was supposed to be a musical.
In Part 2 of the Hook - The Ultimate Edition podcast special, producer Mike Matessino returns to discuss more of the musical contents of La-La Land Records' magnificent release, together with associate producers and co-writers of the liner notes John Takis and Jason LeBlanc. During the conversation, the trio of special guests dissect all the riches found in the treasure chest of this John Williams' score, analyzing the score's main themes, how the songs' melodies were reworked into the thematic fabric of the piece and offering their own thoughts and reflections on the film and its score.
Read more at https://thelegacyofjohnwilliams.com/2023/12/27/hook-podcast-special
Wednesday Dec 27, 2023
Return To Neverland: HOOK The Ultimate Edition - Part 1
Wednesday Dec 27, 2023
Wednesday Dec 27, 2023
The Legacy of John Williams presents a multi-part podcast special dedicated to HOOK - The Ultimate Edition, a 3-CD set of John Williams' magnificent score for the 1991 film directed by Steven Spielberg, now available from La-La Land Records.
Hook – The Ultimate Edition is a 3-CD collection from La-La Land Records with a newly restored and expanded presentation of the magnificent score composed by John Williams for the 1991 film directed by Steven Spielberg. Assembled, mastered and produced by Mike Matessino in full cooperation with the composer, the new release finally gives this seminal Williams’ work the truly definitive and loving treatment it always deserved, with the complete score presented in the film’s narrative order on disc 1 and 2 (including cues dialed out from the film’s final dub), followed by a selection of alternate cues. But the real surprise of this new Ultimate Edition is the third disc, a program presenting for the very first time all the songs written by John Williams and lyricist Leslie Bricusse when Hook was supposed to be a full-on movie musical, interjected by additional alternate score cues and source music pieces, thus creating a fascinating experience that offers the listener a chance to connect with this music in a new and unexpected way.
In part 1 of this Hook - The Ultimate Edition podcast special on The Legacy of John Williams, soundtrack producer Mike Matessino sits down to talk about the genesis of Steven Spielberg's 1991 fantasy epic, its place within the director's filmography and the long history of how it almost became a musical, while also addressing how Hook sits in the canon of the Steven Spielberg/John Williams collaboration; Matessino also talks about his friendship with lyricist Leslie Bricusse, the years-in-the-making process of assembling and producing this new set and his own personal journey to bring it to life with the utmost level of care and detail that such music always deserved.
Read more at https://thelegacyofjohnwilliams.com/2023/12/27/hook-podcast-special/
Thursday Dec 21, 2023
From Swiss Alps to English Moors: The Music of ’Heidi’ and ’Jane Eyre’
Thursday Dec 21, 2023
Thursday Dec 21, 2023
Soundtrack Producer Mike Matessino and Writer John Takis talk two early John Williams' masterworks, now available in new remastered editions from Quartet Records
Hosted by Maurizio Caschetto and Tim Burden
European-based soundtrack label Quartet Records announced a 2-CD set presenting new remastered editions of two early masterworks in John Williams' filmography: Heidi (1968) and Jane Eyre (1970), both newly restored, assembled, mastered and produced by Mike Matessino. Both scores were composed by Williams for two made-for-television films produced by Frederick H. Brogger for Omnibus Productions and both directed by Academy Award-winning director Delbert Mann.
In this new podcast conversation, soundtrack producer Mike Matessino and film music writer John Takis talk the history of these two early landmark John Williams' scores, offering insights and reflections on the special quality and the timelessness of both scores, how they sits in the Williams' canon and chronicling the laborious restoration process both recordings went through for this new spectacular release, another one that cannot be missed in the CD collection of any true John Williams' admirer.
Read more at https://thelegacyofjohnwilliams.com/2023/12/21/heidi-and-jane-eyre-podcast
Friday Sep 01, 2023
Gripping Journeys: Mike Matessino On ’The Lost World’ and ’Amistad’
Friday Sep 01, 2023
Friday Sep 01, 2023
Producer Mike Matessino returns to talk the remastered and expanded editions of two impressive scores from the Steven Spielberg/John Williams collaboration, recently released by La-La Land Records
Hosted by Maurizio Caschetto and Tim BurdenSpecial Guest: Jason LeBlanc, project assistant
The collaboration between director Steven Spielberg and composer John Williams continues to be one of the main subjects of the activities of The Legacy of John Williams. In the last few months, fans of the Maestro have been treated with two more remastered and expanded releases from the catalogue of the legendary Spielberg/Williams partnership, courtesy of specialty soundtrack label La-La Land Records: The Lost World: Jurassic Park and Amistad.
In this episode, Mike Matessino returns to discuss these two releases, shedding light on his restoration work on both these seminal scores, but also offering his insightful comments on how they sits within John Williams' filmography and overall career. Project assistant Jason LeBlanc joins the episode as a special guest to further illuminate on the process of restoring these two releases and explaining his role assisting Matessino during their production.
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Amistad 25th Anniversary Remastered and Expanded 2-CD Limited Editionhttps://lalalandrecords.com/amistad-25th-anniversary-expanded-limited-edition-2-cd-set/
The Lost World: Jurassic Park Remastered and Expanded 2-CD Limited Editionhttps://lalalandrecords.com/the-lost-world-jurassic-park-remastered-expanded/
Friday Apr 28, 2023
SABRINA Expanded Edition: Exclusive First Listen
Friday Apr 28, 2023
Friday Apr 28, 2023
Soundtrack Producer Mike Matessino presents the new 2-CD expanded edition of John Williams' romantic score coming May 2 on La-La Land Records
Hosted by Maurizio Caschetto & Tim Burden
The Legacy of John Williams presents an exclusive preview of the first John Williams' archival soundtrack reissue of 2023, courtesy of La-La Land Records: a lavish 2-disc release of the Academy Award-nominated score composed by Maestro Williams for the 1995 romantic comedy Sabrina, directed by Sydney Pollack and starring Harrison Ford, Julia Ormond and Greg Kinnear. Assembled, mastered and produced by archival soundtrack producer Mike Matessino, the new edition offers a wonderfully exhaustive presentation of John Williams' lush romantic score, remastered from 1st-generation analog tapes and expanded with a great wealth of previously unreleased material, including many unused cues and several alternates.
The new release presents an expanded edition of the original orchestral score composed and conducted by John Williams, plus all the source music and the songs (including the two original ones written by Williams and lyricists Alan & Marilyn Bergman) that were specifically arranged and recorded for the film.
In this special podcast episode, The Legacy of John Williams presents two exclusive preview tracks from the new expanded edition, with Soundtrack Producer Mike Matessino offering his own precious insight and commentary on the lovely John Williams' score, how it sits in the composer's catalogue and chronicling the making of this new archival release.
Sabrina - 2-CD Expanded Soundtrack Limited Edition is coming May 2 on lalalandrecords.com
Special Thanks to MV Gerhard and Matt Verboys (La-La Land Records)
Friday Nov 11, 2022
’The Fabelmans’ First Listen
Friday Nov 11, 2022
Friday Nov 11, 2022
The Legacy of John Williams, in collaboration with Sony Music, is proud to announce the latest John Williams release - The Fabelmans (Original Motion Picture Soundtrack); a soundtrack album by the five-time Academy Award® winner for director Steven Spielberg’s deeply personal cinematic memory of the forces, and family, that shaped his life and career. The release marks the latest collaboration between Spielberg and Williams, whose longstanding creative partnership spans nearly 50 years and 30 films. From E.T., Jaws and Jurassic Park to Schindler’s List, Lincoln and Saving Private Ryan, Williams and Spielberg’s collaborations have produced some of the most stirring and well-recognized music in film history.
The Fabelmans is a deeply personal portrait of a 20th century American childhood. Written by Spielberg together with Pulitzer Prize winner Tony Kushner, it's a universal coming-of-age story about an isolated young man’s pursuit of his dreams, the film is an exploration of love, artistic ambition, sacrifice and the moments of discovery that allow us to see the truth about ourselves, and our parents, with clarity and compassion. The musical score by John Williams accompanies the film during its key moments with a poignant, lyrical tone that enhances the characters' most intimate and profound feelings--the main theme (heard in the opening track, "The Fabelmans") is one of the most heart-rending and touching themes ever composed by Williams. The music features chamber-like solos for piano, harp, guitar and celeste, painting a heartfelt portrait of the story and its main characters.
The Legacy of John Williams is proud to present this special podcast episode featuring a commentary on John Williams' new soundtrack by Editor Maurizio Caschetto and Head Contributor Tim Burden. The talk focuses around three tracks from the soundtrack album selected by Caschetto and Burden, "Mitzi's Dance", "Mother and Son", and "The Journey Begins," which offer a beautiful representation of Williams' poignant and delicate scoring for this film.
You can listen to John Williams' wonderful new music in full here: https://soundtracks.lnk.to/thefabelmans
Special Thanks to Maria Kopp and Dani Chwatt (Sony Music)
Friday Jul 15, 2022
L.A. Studio Legends #16: JoAnn Turovsky
Friday Jul 15, 2022
Friday Jul 15, 2022
Harpist extraordinaire talks her career both as a classical musician and studio recording artist, including her many collaborations with John Williams on such scores as Angela's Ashes, A.I. Artificial Intelligence and The Book Thief
Hosted by Maurizio Caschetto
JoAnn Turovksy is one of the most accomplished and talented harpists in the world. She is Principal Harp of several Los Angeles-based orchestras: the L.A. Opera orchestra, the Los Angeles Chamber Orchestra and the Los Angeles Master Chorale. In a career spanning now four decades, Turovsky has been lauded and revered with many accolades: she is the recipient of a lifetime achievement award from the American Harp Society.
Harp is an instrument very dear to John Williams as it's often prominently featured in a lot of his film and concert music. Harpist extraordinaire JoAnn Turovsky has possibly the longest and most impressive track record of playing a lot of John Williams' harp parts over the last three decades as his favoured principal harp for studio recordings in Los Angeles. Turovsky is heard playing exquisite harp solos on some of the composer's most lyrical and haunting film scores including Angela's Ashes, A.I. Artificial Intelligence, Munich and The Book Thief. Turovsky's impeccable playing can be appreciated even when not playing a solo part, but when accompanying and enriching the orchestral texture, as the harp is used by Williams like a master orchestrator would do.
JoAnn has also been a professor of harp at the USC Thornton School of Music for the past three decades and sits on the faculty of the Colburn Conservatory of Music and the Colburn School of Performing Arts, teaching the next generation of harpists.
In this conversation, JoAnn Turovsky talks about her impressive career as a classical and studio musician, remembering her many experiences playing for John Williams, including her solo work for Angela's Ashes and The Book Thief, but also illuminating on the composer's use of harp and how he let the instrument shine within the orchestral palette.
Visit https://thelegacyofjohnwilliams.com/ for more information.
Friday Mar 04, 2022
Back To Anatevka: More Talk On ’Fiddler On The Roof’
Friday Mar 04, 2022
Friday Mar 04, 2022
Soundtrack Producer Mike Matessino returns to talk more on his work for the 50th Anniversary Edition, with distinguished Broadway Music Director and Conductor Andy Einhorn joining as a special guest to discuss the first concert performance of John Williams' orchestrations and the legacy of the beloved musical.
Hosted by Maurizio Caschetto and Tim Burden
The Legacy of John Williams goes back to Anatevka for the long-awaited 2nd part of the discussion on Fiddler On The Roof 50th Anniversary Soundtrack Edition. The massive 3-disc set released by La-La Land Records was the subject of an in-depth talk and feature article published last December, and now Soundtrack Producer Mike Matessino returns to offer more eloquent thoughts and insights about the 1971 classic film by Norman Jewison, its Academy Award-winning adaptation score by John Williams, and the painstaking restoration work he went through to bring new life to the original soundtrack recordings.
This second act of the Fiddler On The Roof podcast special is also enriched by the presence of a very welcome special guest. Leading Broadway Music Director and Conductor Andy Einhorn joins to talk about a truly unique and very special initative: the presentation of a lightly-staged production of Fiddler On The Roof featuring the world premiere concert performance of John Williams' Oscar-winning orchestrations, a project spearheaded by the UMS in collaboration with The Philadelphia Orchestra and the University of Michigan School of Music, Theatre & Dance/Department of Musical Theatre.
During the conversation, Einhorn reflects on the various reasons why this project holds a special place in his career, the challenges he faced to put it together and the thrill of hearing Williams' sumptuous orchestrations performed live for the first time in 50 years, talking also about the details and nuances hidden in the score. He and Mike Matessino offer precious insight on the timelessness of Fiddler On The Roof and its relevance for today's audiences also in light of the tragic recent events happening in the same region in which the original story takes place, i.e. the small Ukraine village of Anatevka.
Read more: https://thelegacyofjohnwilliams.com/2022/03/04/fiddler-on-the-roof-podcast-pt2/
Friday May 28, 2021
L.A. Studio Legends #11: Louise Di Tullio
Friday May 28, 2021
Friday May 28, 2021
Legendary flutist talks her incredible career as a performing artist, the legacy of her own musical family, the phenomenal streak of work as a studio musician in Hollywood and her many collaborations with John Williams on such iconic scores as Hook, Jurassic Park, War Horse and many others.
Flutist Louise Di Tullio is one of the true icons among the generation of musicians performing in the Los Angeles area who came on the scene between the late 1950s and early 1960s. In an amazing career spanning almost six decades, Louise performed both as a world-class classical player and studio musician, often in the position of principal flute, for countless film scores, recording projects and live performances.
A native of Los Angeles, Louise Di Tullio comes from a family of very distinguished musicians who had incredible careers as classical players and studio musicians. Louise started to play flute at a very young age and soon began to take lessons to become a professional musician. Before reaching the age of 20, Louise joined the LA Philharmonic, playing piccolo in the flute section, following in the footsteps of her father and two uncles. After six years with the Philharmonic, she found success in all aspects of the recording world. Louise started to perform in Hollywood studio orchestras, mostly as a piccolo player, and was contracted regularly to play for big name film composers including Alfred Newman, Jerry Goldsmith, John Barry and of course John Williams.
Louise’s first session with John Williams dates back in 1969 for the score for The Reivers. You can hear Louise’s playing, often performing both delicate and virtuosic piccolo parts, on such iconic scores as The Towering Inferno, Jaws, Close Encounters of the Third Kind, The Fury, 1941 and E.T. The Extra-Terrestrial.
In 1990, Louise inherited the first chair from Sheridon Stokes as principal flute for John Williams and from this moment onward her career as studio musician became the stuff of legend. As principal flute, Louise Di Tullio can be heard performing on many John Williams’ scores since 1990, including Home Alone 1 and 2, Hook, JFK, Far and Away, Jurassic Park, Schindler’s List, Rosewood, Seven Years in Tibet, A.I. Artificial Intelligence, Minority Report, Catch Me If You Can, War of the Worlds, Indiana Jones and the Kingdom of the Crystal Skull, The Adventures of Tintin, War Horse, and The Book Thief.
Besides her work in countless John Williams’ scores, Louise Di Tullio served as principal flute for many other great film composers, including Jerry Goldsmith, John Barry, James Horner, Lalo Schifrin, Bill Conti, James Newton Howard, Bruce Broughton, Danny Elfman, among others. Over the course of her extraordinary career, Louise performed on more than 1,200 motion pictures and tv films including some of Hollywood's biggest hits of the last 50 years.
In this conversation, Louise reminisces for the first time since many years about the legacy of her extraordinary musical family, the first steps as a classical player, including performing under Igor Stravinsky. Louise talks extensively about her many years recording film scores with John Williams, from her first experiences playing piccolo on The Reivers and Jaws, to her playing as principal flute on scores like Hook, Jurassic Park and War Horse, recollecting many memories and sharing her point of view about the music and the art of Maestro John Williams.
Visit https://thelegacyofjohnwilliams.com/2021/05/28/louise-di-tullio-podcast/ for more informations and the list of the musical excerpts featured in the episode.
Friday Apr 09, 2021
Conductor Kevin Griffiths Talks "Spotlight on John Williams"
Friday Apr 09, 2021
Friday Apr 09, 2021
The English-born conductor talks about the brand-new recording "Spotlight on John Williams", the debut album of the Swiss-based City Light Symphony Orchestra, a 2-CD collection of some of John Williams' film masterpieces
Spotlight on John Williams presents the City Light Symphony Orchestra conducted by English-born Maestro Kevin Griffiths in a 100-minute musical journey throughout some of John Williams’ movie masterworks, featuring such acclaimed soloists as Valentine Michaud, Reinhold Friedrich and Paul Meyer. The selections include 21 tracks, including music from many of the popular film franchises the composer is associated with – the Star Wars saga is represented by a 4-movement suite from The Force Awakens and the Indiana Jones movies with the riveting “End Credits” suite from The Temple of Doom, while the Harry Potter wizarding world is featured with four selections from The Sorcerer’s Stone, The Chamber of Secrets and The Prisoner of Azkaban. The stirring themes from such beloved film scores as Hook, Jurassic Park, Superman are also represented, but there is space for other Williams’ gems like “Viktor’s Tale” from The Terminal, the patriotic themes from JFK and Born on the Fourth of July, the jazzy 3-movement “Escapades” suite for alto saxophone from Catch Me If You Can, the lively opening credits from The Adventures of Tintin, and the stirring Americana of The Cowboys Overture.
The recording is a real showcase of the City Light Symphony Orchestra’s brilliance – the performance is tight and vigorous, the spectrum of sonorities they bring out is sparkling, full of colours and nuances, but always focused and sharp at the same time.
In this conversation, conductor Kevin Griffiths talks with The Legacy of John Williams about the challenges of recording the album, how the project was put together and how he worked with the City Light Symphony Orchestra to bring out all the marvelous nuances and details of John Williams’ music. He also talks about the differences of conducting live to picture vs. traditional symphonic setting, how the audience’s perception of film music has changed throughout the years, and what John Williams’ music meant for him since childhood, while also reflecting on the legacy of the Maestro.
Spotlight on John Williams is released on Prospero Classical
For more information, visit https://thelegacyofjohnwilliams.com/2021/04/09/kevin-griffiths-city-light-interview/