Legendary flutist talks his distinguished career as studio musician in Hollywood, from his early days performing under Alfred Newman at 20th Century Fox to his many collaborations with John Williams as first chair flute, including his solos in such scores as Jaws, E.T. The Extra-Terrestrial and The Witches of Eastwick, as well as the premiere of the Flute Concerto
Flutist Sheridon Stokes is one of the true all-time greats among Hollywood studio musicians. In a career spanning six decades, Sheridon Stokes became one of the most heard flute artists in the world mostly thanks to his impressive career in the film and television industry in Los Angeles. He has performed as principal flute on dozens of classic film scores including many by John Williams. For the Maestro, he performed solos on Jaws, Close Encounters of the Third Kind, E.T. The Extra-Terrestrial and The Witches of Eastwick. It’s his beautiful, crystalline tone that accompanies some of the most iconic scenes in those films. But, as you’ll hear in the episode, Sheridon and John Williams met long before the Maestro would become the most famous and celebrated film composer in history.
In this conversation, Sheridon talks about his illustrious life and career as one of the most venerable studio musicians in Hollywood, from his early days performing in the 20th Century Fox Orchestra under Alfred Newman to his meeting with a young John Williams in 1957. He talks at length about his first works with Williams in the early 1970s and the world concert premiere of the composer’s Flute Concerto with the UCLA orchestra in 1973. He also reminisces his flute solos on Jaws, E.T. and The Witches of Eastwick, and the work with composer Lalo Schifrin, offering his own unique insight into the great history of Hollywood’s film music.