Mike Matessino

Mike Matessino Talks SpaceCamp and Presumed Innocent

Producer Mike Matessino talks the latest John Williams expanded reissues just released: the 1986 space adventure film SpaceCamp and the 1990 courtroom drama Presumed Innocent Hosted by Maurizio Caschetto and Tim Burden For the joy of fans and admirers of the Maestro around the world, the first two John Williams expanded archival releases of 2022 have been recently announced. They are respectively SpaceCamp (from Intrada) and Presumed Innocent (from Varèse Sarabande), two sought-after titles that have been long out of print and that now are finally available in expanded and remastered form courtesy of Soundtrack Producer Mike Matessino, giving a new chance to listeners to appreciate and rediscover two very unique and distinctive film works in John Williams’ catalogue. In this conversation, Matessino returns to The Legacy of John Williams podcast to discuss how both SpaceCamp and Presumed Innocent fit into the chronology of John Williams’ career, talking about how the composer became a household name during the 1980s and how he challenged himself in new and diverse projects. Special Thanks to Douglass Fake & Roger Feigelson (Intrada), Cary Mansfield (Varèse Sarabande) and to Mike Matessino. For more information, visit https://thelegacyofjohnwilliams.com/

SpaceCamp Expanded Edition: First Listen

Listen to an exclusive preview of the new expanded release of John Williams' SpaceCamp, now available from Intrada Hosted by Maurizio Caschetto and Tim Burden The Legacy of John Williams presents a special podcast "bonus" episode celebrating the release of the expanded edition of one of John Williams' most uplifting and joyous scores from the 1980s: SpaceCamp, composed for the 1986 film directed by Harry Winer and starring Kate Capshaw, Lea Thompson, Kelly Preston and a very young Joaquin Phoenix, telling the story of a group of young kids accidentally launched deep into outer space during an astronaut training program. Specialty soundtrack label Intrada just announced the release of a 2-CD set featuring the complete film score composed by John Williams on disc 1 (mastered from the recently found original three-track film mixes by engineer Armin Steiner), and the original soundtrack album program as mixed for record by Len Engel from a newly mastered hi-res transfer of the 1/4" album master on disc 2. This new edition is once again assembled, mastered and produced brilliantly by Mike Matessino, who also wrote detailed liner notes chronicling the film's history and production and providing an excellent analysis of the score. A conversation with Mike Matessino discussing this new release is coming soon on The Legacy of John Williams podcast, but as a gift to our readers and listeners, The Legacy of John Williams presents a bonus "prologue" episode featuring two full tracks from this new release, including the long-awaited unreleased cue "Arriving at Daedalus", perhaps one of the most sought-after in the long list of previously unreleased pieces from Williams' filmography. So, sit back, relax and prepare to enjoy a special treat, courtesy of Intrada and Mike Matessino. Order your copy of SpaceCamp Expanded Edition at Intrada's website:SpaceCamp Expanded Edition 2-CD set   Special Thanks to Douglass Fake, Roger Feigelson and Jeff Johnson at Intrada, and to Mike Matessino.

’Superman In Concert’ Podcast Special Part 2: Mike Matessino

Soundtrack Producer Mike Matessino talks his involvement in the preparation of the live-to-picture concert performance of John Williams' classic score premiering at the KKL in Lucerne on April 29 Hosted by Maurizio Caschetto and Tim Burden On the eve of the world premiere of Superman In Concert at the KKL in Lucerne, Switzerland, The Legacy of John Williams welcomes Soundtrack Producer Mike Matessino for Part 2 of the podcast special dedicated to this thrilling and long-awaited concert performance of John Williams' majestic score live to picture (listen to Part 1 HERE). In addition to his stellar soundtrack restoration work for which he's much appreciated, Matessino has collaborated with Film Concerts Live on several of their 'Film with Orchestra' projects, assisting and consulting on Back To The Future, Jurassic Park, Jaws, Close Encounters of the Third Kind and more recently on Superman: The Movie.  In this conversation, Mike Matessino sits down again with The Legacy of John Williams' Editor Maurizio Caschetto and Head Contributor Tim Burden to talk with thorough detail how the 'Film In Concert' presentations are put together, chronicling his work on Superman and also on other classic John Williams' film concerts as Jaws and Close Encounters of the Third Kind. Matessino also discusses the reasoning behind the choice of reintroducing music that was originally dialed out or cut from the film's original theatrical release and the many technical challenges of the live-to-picture format. John Williams' Superman In Concert is having its world premiere on April 29, 2022 at the KKL in Lucerne, Switzerland, performed by the City Light Symphony Orchestra conducted by Anthony Gabriele. The event is presented by City Light Concerts in association with Film Concerts Live and Warner Bros. Pictures. It will also be presented on June 25, 2022, at the Royal Albert Hall in London, UK, with the Royal Philharmonic Concert Orchestra conducted by Anthony Gabriele. More info at thelegacyofjohnwilliams.com

Back To Anatevka: More Talk On ’Fiddler On The Roof’

Soundtrack Producer Mike Matessino returns to talk more on his work for the 50th Anniversary Edition, with distinguished Broadway Music Director and Conductor Andy Einhorn joining as a special guest to discuss the first concert performance of John Williams' orchestrations and the legacy of the beloved musical.   Hosted by Maurizio Caschetto and Tim Burden   The Legacy of John Williams goes back to Anatevka for the long-awaited 2nd part of the discussion on Fiddler On The Roof 50th Anniversary Soundtrack Edition. The massive 3-disc set released by La-La Land Records was the subject of an in-depth talk and feature article published last December, and now Soundtrack Producer Mike Matessino returns to offer more eloquent thoughts and insights about the 1971 classic film by Norman Jewison, its Academy Award-winning adaptation score by John Williams, and the painstaking restoration work he went through to bring new life to the original soundtrack recordings. This second act of the Fiddler On The Roof podcast special is also enriched by the presence of a very welcome special guest. Leading Broadway Music Director and Conductor Andy Einhorn joins to talk about a truly unique and very special initative: the presentation of a lightly-staged production of Fiddler On The Roof featuring the world premiere concert performance of John Williams' Oscar-winning orchestrations, a project spearheaded by the UMS in collaboration with The Philadelphia Orchestra and the University of Michigan School of Music, Theatre & Dance/Department of Musical Theatre. During the conversation, Einhorn reflects on the various reasons why this project holds a special place in his career, the challenges he faced to put it together and the thrill of hearing Williams' sumptuous orchestrations performed live for the first time in 50 years, talking also about the details and nuances hidden in the score. He and Mike Matessino offer precious insight on the timelessness of Fiddler On The Roof and its relevance for today's audiences also in light of the tragic recent events happening in the same region in which the original story takes place, i.e. the small Ukraine village of Anatevka. Read more: https://thelegacyofjohnwilliams.com/2022/03/04/fiddler-on-the-roof-podcast-pt2/  

Top of the World: Mike Matessino Talks 'The Eiger Sanction'

Soundtrack Producer Mike Matessino presents Intrada Records' new 2-disc expanded edition of John Williams’ score for Clint Eastwood’s alpine thriller, featuring the world premiere release of the original film recording and a remastered version of the 1975 soundtrack album Hosted by Maurizio Caschetto and Tim Burden The restoration of Maestro John Williams’ rich filmography adds another pivotal item to its ongoing process of “future proofing”. Intrada Records has just released a 2-disc expanded edition of one of the Maestro’s most interesting and diverse scores of his pre-Jaws era: The Eiger Sanction, written for the 1975 alpine thriller directed by and also starring Clint Eastwood, in his one and only collaboration with the composer. The new release is produced and remastered by Mike Matessino, who continues to be the ultimate guardian of John Williams’ film score presentations through his universally admired painstaking methodology of soundtrack restoration, preserving the Maestro’s work for all future generations in the best and most accurate way. The original soundtrack album issued on MCA Records at the time of the film’s theatrical release was a re-recording where Williams selected cues from the score expanding and repurposing them for a more cohesive listening experience. The brand-new 2-CD release by Intrada Records presents both a remastered version of the 1975 MCA soundtrack album and the premiere release of the original film recording, featuring a great deal of unreleased music, including never-before-heard material that was written and recorded for a longer cut of the film. All the material has been painstakingly restored and remastered by Mike Matessino. The end product is a wonderful musical journey that puts a well-deserved spotlight on one of John Williams’ lesser-known yet most fascinating and diverse scores to be found in his long and rich filmography.  In this conversation, Mike Matessino returns to The Legacy of John Williams podcast to present this new 2-disc expanded edition of John Williams’ score for Clint Eastwood’s alpine thriller, spotlighting and documenting his own unique restoration work while offering thoughts and insights on the Maestro’s music for the film. For more information, visit https://thelegacyofjohnwilliams.com/2021/08/10/the-eiger-sanction-podcast

"They're Already Here": Mike Matessino Talks 'War of the Worlds'

Exclusive video podcast with soundtrack record producer Mike Matessino discussing his restoration work on John Williams's thrilling score for the sci-fi classic directed by Steven Spielberg in 2005 Hosted by Maurizio Caschetto and Tim Burden Steven Spielberg's big-budget adaptation of the sci-fi classic novel by H.G. Wells War of the Worlds marked the 22nd collaboration between the esteemed director and composer John Williams. The film turned out to be a very unique and perhaps even personal project for the director, who took the opportunity to craft a grim moral tale disguised as an action-packed sci-fi drama. The movie presented a unique challenge for composer John Williams. The music accompanies the drama with his usual skillfull dramatic sensibility, giving the film's action sequences its necessary propulsive energy, but at the same time avoiding any kind of leeway to conventional scoring. Instead the music enhances the dark, grim tone of the film through violent Herrmann-esque orchestral colors (12 horns, 2 tubas, 5 trombones, 2 sets of timpani playing antiphonally), unstable harmonic language and an overall tone of fragilty and uncertainty.  The new remastered edition released by soundtrack specialty label Intrada Records has been meticolously restored and produced by Mike Matessino, who worked from the original audio elements to rebuild from scratch the mixes and all the performance edits. The new release is spreaded on two CDs--Disc 1 presents the complete 80-minutes film score with all the cues in chronological order as they appear in the film (including unreleased and extended material), while Disc 2 offers the remastered original soundtrack album, plus a slew of alternate cues that reveal Williams' meticolous creative process for the film. In this conversation with The Legacy of John Williams, Mike Matessino offers his deep thoughts about how this new release of War of the Worlds came about, how the perception on the film and some of its most controversial aspects changed throughout the years and became even more relevant in today's world, the role of the music within the film and how the new edition was meticolously assembled and produced. Special Thanks to Mike Matessino and Tim Burden, and to Douglass Fake and Roger Feigelson at Intrada Records War of the Worlds - Expanded and Remastered 2-CD Edition available for purchase at http://store.intrada.com/s.nl?it=A&id=12263 Visit https://thelegacyofjohnwilliams.com for more information

Exclusive: Mike Matessino Talks 'Far And Away' and 'The River'

Interview with soundtrack producer Mike Matessino on his restoration work for two lesser-known scores from John Williams’ filmography Hosted by Maurizio Caschetto and Tim Burden In this new episode, soundtrack producer Mike Matessino talks in-depth about his work on the expanded soundtrack releases of John Williams's scores for Far and Away and The River, released respectively on La-La Land Records and Intrada. Matessino joins The Legacy of John Williams editor Maurizio Caschetto and co-host Tim Burden to offer background information about the remastering and production process of each release. Matessino comments on John Williams’s creative journey for these films in a long and engaging conversation, where several topics beyond the two releases are also discussed. Discover more at thelegacyofjohnwilliams.com

Symphony of Elements: Interview with Mike Matessino on the Disaster Movie Soundtrack Collection

An exclusive interview with soundtrack producer Mike Matessino on his restoration work for the Disaster Movie Soundtrack Collection – Music by John Williams, and the remastered expansions of Monsignor and Minority Report Hosted by Maurizio Caschetto and Tim Burden The DISASTER MOVIE SOUNDTRACK COLLECTION – MUSIC BY JOHN WILLIAMS, is a thrilling, limited edition four disc box set from La-La Land Records containing the remastered and expanded original scores to three classics of the so-called "disaster movie" genre from the 1970s: The Poseidon Adventure (1972), and The Towering Inferno (1974), both from legendary producer Irwin Allen, and Earthquake (1974), produced and directed by Mark Robson, all composed and conducted by John Williams and restored by soundtrack producer Mike Matessino. In this conversation, Mike talks about his work on this new box set and the remastered editions of Monsignor and Minority Report released in 2019. Discover more at thelegacyofjohnwilliams.com